5 volumes ago, blackdisco crew introduced abel to the scene. now he is back with 4 more mature cuts, full of emotion. the tracks span a world of deep, sexy and euphoric vibrations. enjoy with a nice glass of wine, as an accompaniment to a canyon drive, or have a go on a dancefloor of discerning tastes. no repress.

the >just for fun< ep starts with the title track just4fun, which in fact breathes fun and doesnt take itself too seriously. the funky and highly infectious keys and the butt shaking groove will remind you of a track that moodymann never made, but wishes he had. next comes unlimited01 with a joyful piano melody that would fit right into a french disco with a funkier version of alain delon behind the decks. still, the rhodes chords, the slow sexy groove, the vocal hooks will get you moving in no time. thang then goes into a more detroit beatdown direction with its deep chords and smooth pads. it creates a mellow atmosphere with an almost relaxed summer feeling. this is what a funky pimp would listen to on a night car drive. the ep ends with spiritual almost tribal rhythms. inspiration would be a nice soundtrack to a 70s orgy orchestrated by a groovy guru, surrounded by a magical circle of mystical dancers. over the top? sure, but the track would certainly get this party going.

high quality reissue of alice coopers 1971 classic >killer<. cut from the original analog master tapes, packaging replicated to the finest detail, pressed with more care than ever on heavyweight 180 gram vinyl.

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

after the glowing success of seven black 001 by autodeep, deepchild and eddie c, seven black continue to drive forward with yet more quality.

limited to 700 copies !! incl 3 x 12 inch (coloured vinyl) + 2 cds and dvd, photo book with 270 pages, watergate guestlist coupon, a1 poster, special cover... timeless

bereits während der letzten drive-by truckers tour begann patterson hood am vorliegenden album zu arbeiten. ursprünglich hatte er geplant ein buch zu schreiben, dann stellte er aber schnell fest, dass die texte sehr an songformaten angelegt waren und sie sich nahtlos in seine musikalischen entwürfe einfügten. das album wurde in seiner heimatstadt athens/georgia aufgenommen, und er ließ sich dabei von fast der gesamten drive-by truckers crew musikalisch unterstützen. ein album für fans von wilco, neil young, alberta cross und natürlich drive-by truckers.
code für kostenfreien mp3-download des albums inklusive.

kastil takes the a-side with the title track >paraside<, a classic deep house chicago jam that exudes style, while >17th street< has the same deep us flavour but with more drive and purpose. on the flip, mr. cinelli creates a trippy and subtle reinterpretation of >17th street< but still retains the bouncy flavor in a way he only knows how to do it. watch out for those snares.

rhythm odyssey is a production alias of the one and only dean meredith (chicken lips, goat dance etc) here he has teamed up with dr dunks (eric duncan, rub-n-tug) and tis second part of their 2 12 series, the duo have crafted some deliriously good mid-tempo balearia, circles could be a long lost remake of e2e4, and has sunset moment written all over it. >glow< takes the same ingredients and transports them into early 80s dubbed out territory - superb!

two stunning slices of mercurial and heartfelt british techno from two outstanding northern producers that cuts across the m62 corridor like a night drive into oblivion. a 10inch black hit of space, lovingly designed for the dark, sweaty basements of provincial, post industrial towns and the cold light of day in the car park of knutsford services.

cecille has always been a good start kid for many great artists, the label has been always open for some new inspirations and sounds. some of them in the past, has been called newcomer and made already the step into the big arena, like nick curly, markus fix, sis, butch, robert dietz and many more, this time we present you another new talented artist from ibiza (spain) named loopsize, the 30 years old simpatico guy, we call him also the machine, comes with his first release ever on cecille.4 loopy punchy tracks with their own sense of groove and drive.

the record is opening with how do i feel, a deep house master piece from max duke that has been included in the fabric promo mix by dj sneak. with an orchestral background and nice vocals. following we can find the remix of denite (resopal). with a good revision of the original track, adding a good keyboard play and his drums percussion touch along the track. the third song is back to universe. another great tune where instruments keep rolling and rolling in an evolving atmosphere. and closing the release the awesome remix of pawas (night drive music, ostwind, brise). with a massive rework of the original track that gets the track somewhere further. four great tracks for the first vinyl of redlight music

dimi angelis & jeroen search make their first appearance on par grindviks stockholm ltd label with their >rhetorica ep<. the pair have been working together since their debut collaborative release on music mans sublabel, ion, in 2004. since then they have released on figure, smallville, traut, balans and their own imprint a&s. they also produce together under the >counterpart< guise and have eps on jeff mills 6277, oscar muleros warm up and the advents kombination research under their belt. the >rhetorica ep< is a lesson in deep, patient and hypnotic sounds. a rounded ep that works both in home and club, and will undoubtedly prick the ears of the techno fraternity. jonas kopp interpreted both the originals into a version of his own. this remix is full of drive and energy, something he brings to all his works.

roberto rodriguezs italo roots are showing on his remix. he opts to stick quite close to and enhance the pace of the original. paying tribute while at the same time making it his own. robertos production skills are showcased perfectly in the faultless remix. adding a real drive and instead of floating like the original it moves you along like a strong tailwind.

we keep the good-times rolling along on the kolour mothership with the debut ep of deep-disco don debonair. we have been taking notes on this guy since we heard his first tune and ever-since, he just seems to move from strength to strength with each tune that is released. needless to say, when the opportunity arose for us to debut his first full-on solo ep, it was the epitome of a no-brainer for us. debonair shows us all facets of his musical capability with a melting pot of music ranging from the traditional debonair deep-disco sound to slo-mo beat-down business, deep-fused funk, with a dash of beautiful baleric sprinkles for good measure.

3 x 180gr heavy weight vinyl package with luxurious gloss print

kill for love, chromatics first album since night drive, finally gives this loosely associated, prematurely decayed musical aesthetic its magnum opus and brilliantly transcends it.

mit dem ehemaligen alexisonfire-frontmann wade macneil haben gallows einen großartigen nachfolger rekrutiert. gemeinsam veröffentlichen sie am 07.09.2012 das erste studioalbum in neuer besetzung - das insgesamt dritte full-length album. in wade macneil hat die band einen ausgezeichneten ersatz gefunden, denn seine live-performance gilt als legendär. das im september erscheinende album >gallows< belegt, dass die fünf weiterhin einzigartig in ausdruck und kraftvoller dynamik sind. vom ersten moment an waren gallows eine ungewöhnliche band für die britische rockszene. 2005 ist die hertfordshire crew aus der britischen untergrund punk-szene entstanden. ihre einflüsse kamen stets vom amerikanischen hardcore - refused, at the drive-in, jr ewing - die für den brachialen und typisch tobenden sound einer unzufriedenen jugend stehen. das album erscheint auf ihrem eigenen label venn records, aufgenommen im sommer 2012 in watford von thomas mitchener und steve sears. inklusive code für freien mp3-download des albums.

vader, the good old, wonderful death/thrash metal band who helped drive both genres into what they are today. this compilation of their two legendary demos is impressive and shows how old vader rocked out. unlike thrash bands that play the same riff over and over, these guys know how to perform.
recommended if you like: morbid angel, slayer, death, sadus, celtic frost, kreator, destruction, master, malevolent creation ...

the nice plangent label comes with catalogue number 4. recondite delivers some lush tracks that fuse laidback beats and low key melodies with raw structures, a persistent drive and pressure. plangent records slowly becomes the face for the otherside of berlin techno together with a label such as giegling. lovely release!! dont sleep!

a little over a year ago, benny grauer released the single >moog phunk< on his label deep circus. after a few remixes and own productions for labels such as blu fin and circle music, the label owner himself is now back with another release on deep circus. >driver ep< is the name of the publishment, featuring two deep tracks which are right on time for this years open-air season. while >mellow drive< being a song building up more and more during its course, letting you dance into dawn with its driving groove, the second track >endless morning< comes along a little bit more rough. with a crispy bassdrum, dark sounds and the flogging hihats, this number wont release anyone from the dancefloor too early. enjoy!

vinyl only
ripperton with a big track on his own new tmq (tamed musiq) label. show me is a deep emotive bassline driven track slowly building up. some touches of early detroit combined with great production skills. comes with a powerfull remix by ghostek! bonus b2 track is slightly more melodic and detroit-ish and actually equaly good as the a1 track.

the second in the series of 12 inch samplers featuring present and future classics from brooklyns monthly party, life, spring sampler 2012 #2 picks up where the first installment left off, deeper into the rabbits hole of the all-night underground parties at the infamous dope jams. curators and residents slow to speak offer here 3 remixes and re-imaginings of some of the finest technoid sleaze, haunted vocal anthemics and zulu-nation-endorsed hip-house perfection. spring sampler 2012 #2 is a snapshot of a life party at its most elevated, after the initiation and immersion is complete, the core party people convened, the sacramental beverages consumed and the full peak of the party unfolded in its full spectacle. previously, these exclusive versions have remained in the vault for protected and exclusive use by the life residents. made available through these limited samplers, slow to speak opens up for a rare snapshot into the heart and soul of their program—militant musical theses that drive these parties and make them something more special than the typical dance music burial rite.
comes on transparent orange-red, marbled vinyl.

home to a selection of the globes most cutting edge talent, the rekids imprint is proud to present the debut full ep from one of the scene heroes in toronto, nathan barato. backed by remixes from oliver $ and masked talent 808 fake, back up queen is set to burn through dancefloors with its pumping old school drive and rough edged soul.

modularz 8.2 by developer & stanislav tolkachev is the second part of the 8 series with a special remix by british producer shifted. 8.2 gives a clear view on the versatility of modularz and dives into a deeper approach of late night hypnotic chord driven techno in its purest form. the modularz 8 series as been well-received by online press and print publications and also hugely supported by the elite techno talents of the world.

sometimes club music doesnt need to be too clever. sometimes all you need is an insistent groove and a hook. allow nuance, subtlety or layers upon layers of carefully sculpted found sounds, sometimes the drive to dance to a piece of music overtakes the rational over thinking and just inspires movement. that is precisely what this trio of original productions from 19 year old brummy, wattville aka matthew evans, does incredibly well to inaugurate sonic router records debut vinyl release.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

nice price deal !!! prime numbers welcomes newcomer nick sinna for release number 13 on the imprint. hailing from manchester and long time friend of label boss trusme, nick has been best known for his deep, melodic dj sets. showcasing his hypnotic style, as well as a broad spectrum of influences, this 4 track ep is a heavy hitter from start to finish. jumping into it with a nod to the past, >voyager< will have you traversing down a boundless wormhole with its acidy groove. big room sirens and lumbering snaps drive through the eps b side on >kick the habit<. on record two, nick shows us his softer side with blissed out 9 am anthem >momentary<, while >real time< completes the ep on a dark and entrancing note.

we are very pleased to welcome bleak on deeply rooted house for his second release on the label, a pure techno 4 track ep and one of the strongest deeply rooted so far! dj deep:i have been very impressed with bleaks talent and how he can combine different styles of techno and still produce very personal music. each track, in my opinion, has a life of its own, it starts in a certain way, and takes you to different places. the arrangements are very subtle, sometimes hypnotic, very intense and emotional, the way the drums evolve and drive the tracks, or how deep chords apear in the back ground taking the track to a differrent territory etc.i hope youll like this 12inch as much as i do!

the beautiful granville days volumes are a series of outtakes, remixes, and previously unreleased recordings from the operating days of the label beautiful granville records. some of the tracks are simply making their first appearances on vinyl. check!

striclty ltd! strictly limited vinyl with no re-press! silkscreened artwork by house of traps! clear vinyl! out of the blue comes this expansive lord of the isles 5 tracker! fresh from his release on japanese label ene, loti throws a curveball and gives us the third installment in the unthank series. synth sketches, floating ambience and warehouse tracks, taken from a hard drive that time forgot. a journey of whiskey, analogue electronics, scottish landscapes, nostalgia and underground parties. as usual, there will be only one press with silk-screened artwork from house of traps.

featuring the rolling, techy vibes of smashface and the paranoia inducing test subject, jade (with the help of ryme tyme) continues to push eatbrain to the forefront of neuroconnoisseurs everywhere.smashface (feat. ryme tyme): beginning with an ominous intro full of dark twangs and rasping clicks,smashface revs up the tension until jade pulls the trigger one of the meanest basslines around. a thumping subbass dominates, with precision synths and the molten, lyrical delivery of ryme tyme skittering over the top. a perfect blend of relentless drive, flawless production and infectious vocals,smashface comes from renowned two artists who continue to innovate. test subject sees jade change the pace and bring forth the darkest vibes. featuring an intro that wouldnt seem out of place in a horrsor film,test subject is neurofunk at its most menacing. after an atmospheric built up, the track transforms into a sophisticated roller, with all the hallmarks of another classic jade production. combining unsettling synth stabs with a submerged sub and ominous pads,test subject delivers a claustrophobic, paranoia inducing groove will find its way into only the grittiest dj sets.

ultraltd nice price action >>> here an unexpected bonus 12 inch to the clone 56. with an exciting remix by man of the moment 2562! he delivers a mix full of heavy sub basslines that make the house shiver and completes it with fine detroit melodies. 2562 manages to craftly dart between a concentrated detroit-techno drive and a sensuous dubstep swing which is slightly going towards a 4/4 beat.... but then falls back into that seductive two-step pace. bernardi gives us another take on the original version which is on a melodic, moody and even melancholic tip... so sweet! to top things of mark august delivers his bonus beats extracted from his glossy house-flavoured techno track. as usual with the clone x series: limited supplies!

i am a pianist, composer, improviser, performing artist and a multitasking musician in life, currently living and working in reykjavik. i was born 1978 in seydisfjördur, iceland and have been playing the piano and keyboards since age of 9. my main focus and interest is in improvisation, composition and performance of music. how improvisation and composition can meet effortlessly as a creation of musical ideas and sounds. i am also thoughtful of the general passion & drive behind creation of things, in what way they are presented and passed on to people, in music, arts and life in general. since childhood i ve collaborated with a whole spectrum of artist, from obscure troubadours in the countryside to stadium bands, covering all fields og music, both in iceland and abroad. i have also composed and arranged a great deal of music for theater, film, art installations, performances and videos of all kinds. released my first album rask in 2002, and now i am currently composing and working on a series of records with solo piano music for radio bongo with improvised piano works i (broadcast01) as the first radio bongo release.

after a two-year break, detroit producer and wayward star-child jimmy edgar debuts on scubas hotflush recordings armed with an album full of futuristic sleaze. known for his unique take on jacking house and electro funk, he has recently been splitting his time between the us and berlin, exploring transcendental meditation and the boundaries of the non-physical. this offering is an extension of that journey, bringing eleven tracks of erotic robo-pop to the table. titled majenta, this lp is a departure from his past sound, marking a shift in his own ever-expanding consciousness, as well as another exciting chapter of his musical career. each track is an aural manifesto, giving well-deserved nods to his varied musical influences.

causing absolute carnage throughout miami 2012, bullets ep vol. 2 features 2 tracks guaranteed to drive any dance floor from peak hour to after hour!

marx was totally right: the sustained reign of the exchange value and the spooky and tricky quality of the commodity - the fetishism of commodities - still keep the single individual under age and enslaved. therefore >the association of liberated people and music (vfmm)< is a necessary emancipated condition to strive for. especially the impact of art and music is able to hold on to the contradictions of reality and helps to transcend this wrong existing status qust release drive-by mix mup suspends the principle of causal relation. together we travel down a road that has lost its destination. the road becomes the actual reason for our motion. past connecting elements we cruise

ross caiden is a new name on the scene already racking up some cracking releases. after giving us a remix of ryders >thirty five days< back in december, we now have an original ep from him.
>gunz in the hood< is a hat filled, heads down, groover. lewis ryder tweaks things with an indulgence of analogue synth work, keeping the peak time rawness.
>new york city gritty< sure does have the hustle & bustle of a large city. large room techno. with this, tom eales completely changes the sound, making a very warm & drifty mix.

introducing club constructions, a new series of releases that will operate alongside night slugs main eps and white label series. a new home for our most direct productions, cc will run as a channel for raw and tracky material aimed straight for the dancefloor. the first cc volume comes from l-vis 1990. hot on the heals of his >neon dreams< lp, l-vis dives further into the house music whirlpool, drawing on classic dance mania and underground construction vibes (think robert armani building trax for 2012) to deliver 5 tape-saturated, strictly-analog slices of modern-day ghetto hard house. strictly for peak time use!

a split ep made up from the two electro projects of irish producer matthew flanagan. the defekt side of the ep contains 2 tracks dimension glider and cv1 both tracks offer dark si-fi feel with modular synth seqs and depth.the ess(electronic speech systems) side has 3 tracks of different electro styles and hints at the defekt project.the 3 tracks coment elenin, substance d and thermo drive are all a little deeper with melodic pads and jams that keep the analog synth feel.

rubini’s new production is dedicated to the legendary group-b rally era (1982-1986), universally considered as the most spectacular moment of the motoring sports history. rubini succesfully transfers those dramatic and thrilling scenario in a disco/tech language. le cahier de occelli is an intimate ambient journey, drawing the mystic landscapes of those dirty roads. easyleft henri is dedicated to the amazing pilot henri toivonen, whom incredible skills inspired this energetic disco/house drive, with steering bass-line and a whirling vintage synths. dancefloor missiles, roar!

matador is a dublin based dj,live performer and producer who has been releasing his own twisted but organic take on techno for the last four years. late last year came the huge kingswing ep on minus and now this spooks ep sees him step-up once again for a 5 track outing which balances his usual melody with a real techno drive. the title track opens proceedings with predatory, roughshod bass tone running underneath blippy melodies, snappy house influenced percussion and a dark male vocal where kenekt is all out sci-fi weirdness.spiralling space ships, undulating basslines and plenty of well-defined percussion all add up to a snaking track that really works its way under your skin.on the flip,b1 bambam is the most heads down and streamlined techno offering of them all before klay is the ep closer which manages to bend and drip little melodic droplets down the face of slinky hi-hats and deep,rolling basslines.

a legend of techno music on tigersushi. we are really proud!
an electro hacktivist since the 90s, french techno pionneer, inventor of what became electro clash with miss kittin, true italo disco lover, legitimate son of dopplereffekt and kraftwerk and godfather of the new french sensation gesaffelstein with whom he runs the label zone. when michel amato (his real name) contacted us with a few tracks we felt so honored. he really got back to his roots here with deep italo and electro, warm analog synths against cold robotic drum machines, great melodies. it would have been a hit on the now defunct cbs radio.

photek stands mercilessly on the edge. a sonic scientist, pushing both his sounds and fans expectations to the outermost limits since 1994, he floods the footnotes of electronica like mp3s clutter up your hard drive. 2011 saw him drop a series of sounds that reflect the truest perception of him. driven by his years of studio discipline, sharpened by an acute awareness that he will be received by the heads that know him well and ears that dont know him at all. destination tomorrow: photeks decorated past and diligent work ethic leads us here. the new music you have heard from photek in 2011 is yet another chapter in a life spent overdosing on sonic nuances and boundary testing. in the past 12 months his new material has been remixed by the brightestyoung stars of dance music - boddika, falty dl, addison groove and breach to name a few. in turn, photek has remixed for the likes of moby, jess mills, distance, ray lamontagne and was part of daft punks tron remixed package - for which he has been nominated for a grammy. his newly re-launched label, photek productions, has this year released the >avalanche ep< which garnered international support from tastemakers such as benji b, gilles peterson, skream, annie mac, zane lowe and more, and the >aviator ep<.
comes with code for free download of this release.

...this is the very first criminal activity of the street-sound gang called crime scene before their gang-leader was killed in a drive-by shooting...
limited edition of 99 handnumbered single-sided vinyl copies with infosheet.

the 100th release is a massive milestone and we know everyone is waiting to hear exactly what we are going to be releasing and how we are going to do it so listen up, the basic plan is as follows: four digital and vinyl releases spanning a year, cat numbers will be 100.1, 100.2, 100.3, 100.4 coming out roughly every 3 months. now we are onto our second release after the massive croydon girl by chris liberator, sterling moss and rackitt on suf 100 part 1, this time its the turn of four of the most notorious 303 raiders ever to grace the control tower of acid techno. on the a side suf co head honcho aaron liberator teams up with legendary smitten, routemaster and raw records artist the geezer for a jollied up bit of acid naughtiness, a straight up homage to david carradine and anyone that likes to drive recklessly about killing anyone that gets in their way. yes this is the return of crash n burn on suf, a superb follow up to their big hit!

repress 2015 ! umami who claim to make songs not tracks come up with their first solo ep. after collaborations with aka aka and niconé and their latest remix on shaker plates they hoist sails and push their style one stop forward with >conquer the night< on a1. thats >all what you get< (a2) from umami: driving, funny but still eclectic tech house in a fresh sounding garment. the ageless synth line of >sunshine and godzilla< (b1) will drive the crowd crazy for sure and with >kukukuku< on b2 they proove that finnish lullabies also work on the dance floor. this surely tastes a lot like umami

his music is like a waterfall on house – organic, constantly running,sparkling and fresh.it could be the background tune for magazine beauties in st. tropez,it feels like a drive through californian valleys,or it may as well be the soundtrack tune for a full moon party on the greek islands - yes, it might indeed just be the result of many a club year. just as well, however, we can look at it as some sort of a flip side to those busy and dark times of dull and hard work back in the days, something to simply relax andm make you smile, after a hard days work, with a cigarette in one hand and a smooth drink in the other… imagine a piece of roxy music, a dancefloor in northern italy - some time in the late 80s - and joe smooths promised land.see what i mean?you picture this?well,in that case you have a pretty good idea of robertos serenades style.the original version of tell me feat.kholi is taken from the upcoming album dawn.

never ones to stand still dons rainbow marks a quantum leap for seahawks, the first release on new label ocean moon and the first recording from the invisible sunrise sessions. invisible sunrise is the forthcoming album from seahawks and the first to be recorded with live musicians rather than a hard drive full of dusty old samples. the results are stunningly original, not least on this track with new york head autre ne veut. anvs debut album last year on olde english spelling bee was an incredible rush of warped r&b, 80s synths, amazing songs and what has to be one of the most innovative voices to emerge in the last 5 years. since then hes released a great ep on hippos in tanks, played some mind bending live shows and guested on the ford & lopatin album. dons rainbow sounds like michael mcdonalds sweet freedom crossed with nite flight era walker brothers. a fantastic piece of hazy avant pop with jan hammer pulse wave synths, yah mo b there drums and fuzz drenched spirals of soprano sax and guitar colliding with the sound of soul from outer space. on the flip the dub takes the track into a world of shadows, where smeared washes of sound swim in an ocean of decay. as always with seahawks releases the packaging is beautiful. heavyweight vinyl in a full colour sleeve, with full colour labels. the last seahawks release sold out in days, we expect this one to do the same, so get your skates on!